The Lumineers have announced a North American Tour in support of their latest album, Automatic.
The Lumineers are bringing The Automatic World Tour to North America! Kicking off on July 3, the folk-rock favorites will hit stadiums, arenas, and amphitheaters across the U.S. and Canada, including a stop at Amalie Arena in Tampa.
The tour celebrates the band’s upcoming album, Automatic, dropping worldwide on February 14 and featuring the lead single “Same Old Song.” To make each show even more special, The Lumineers are bringing an all-star lineup of special guests on select dates, including Young The Giant, St. Vincent, Nathaniel Rateliff & The Night Sweats, Lake Street Dive, Vance Joy, The Backseat Lovers, Dr. Dog, Hippo Campus, Tom Odell, and Chance Peña.
The Tampa show takes place on October 8, with the show featuring special guest Chance Peña.
Tickets go on sale Friday, February 21 at 10 am with an Artist Presale on Tuesday, February 18 at 10 am.
After twenty years of musical partnership, the new album,Automatic finds Wesley Schultz and Jeremiah Fraites traveling new sonic and thematic terrain with their most raw and personal collection thus far. Both men, now dads, fully embraced the life-altering, unromantic challenges and rewards of family life. When they reconvened to write, the emerging songs featured a new, aching vulnerability, sly humor, and bold acknowledgments of need – for love, respect, and connection in an increasingly chaotic world.
Inspired by Peter Jackson’s 2021 Beatles documentary Get Back, the band, with the help of co-producers David Baron and Simone Felice, set up shop in the expansive tracking room at Woodstock's Utopia Studio. Multiple set-ups – with two sets of drums, three different pianos, and an array of amps, guitars, vocal mics – were laid out, allowing the musicians to pivot and capture as much as possible with minimal delay. The process further freed The Lumineers to perform the songs as a unit, allowing the band to capture the raw, organic presentation of the anthemic new tracks. For the first time on a Lumineers album, the band is credited as co-producers alongside Felice and Baron, who also engineered and mixed, as he did on the band’s last two albums.
Recorded in less than a month, the album, as Schultz says, feels “very much of this era.” While songs like the self-effacing “Asshole” and the spartan, wry “Better Day” reveal a risky intimacy and heretofore untapped undercurrent of humor, Automatic remains what fans around the world have come to love about The Lumineers – shadowy themes wrapped in upbeat, infectious melodies, sky-high choruses destined to be sung by tens of thousands each night on the road, and what Fraites calls “a palpable sense of connection between Wes and me. There’s lots of love on this record.”
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