beabadoobee is ready to electrify Orlando, bringing The Powerlines Tour to Addition Financial Arena
Beabadoobee has recently released her fourth album, 'Pylon', and is currently on the road with an extensive U.K., European and North American Tour.
Filipino-born and London-raised singer-songwriter beabadoobee brings The Powerlines Tour to Orlando tonight, Tuesday, October 13, and is set to light up the stage at Addition Financial Arena at 8 pm
Having previously opened for Taylor Swift, Olivia Rodrigo and more, the pop star is now firmly in the spotlight, with The Powerlines Tour marking her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe.
The tour kicked off on October 1, and is in support of her brilliant new album Pylon, released on 18 September via Dirty Hit and Interscope Records. Fans in Orlando can expect to hear nearly every song on the album, together with previous hits, and a few unreleased songs.
As of right now tonight's show in Orlando is officially sold ou - but a few tickets are still available as of right now, get yours now before its too late!
Discover the latest concert and music news in Orlando and Tampa! From major headlining tours, to local indie music nights, Florida features an eclectic music scene! Catch the latest shows at Kia Center, House of Blues, The Plaza Live, Hard Rock Live, Addition Financial Arena, Benchmark International Arena, Yuengling Center, and more.
Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.
beabadoobee's new album Pylon, is the follow up to her UK number 1 album This Is How Tomorrow Moves. The stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.
The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?
The album’s first single, “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.
Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.
Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.
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